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Sleeping and eating ... Local Products

Below we recommend a few restaurants and hotels for an unforgettable holiday bunting.

To sleep:

Hotel Ariston Via Scopoli 10 - 34334 Pavia Tel 0382
Hotel Rosengarten: Policlinico P.le 21/23 - Pavia Tel 0382 526 312
Hotel Excelsior: Piazzale Stazione 25 - Pavia Tel 0382 28596
Hotel Aurora: Viale V. Emanuele 25 - Pavia Tel 0382 23664/21248

To Eat:

Modern: Viale V. Pavia
Giannino Emanuele II 41: Highway 35 Of Giovi Siccomario
Plaza San Martin: San Martino Via Togliatti 39 Siccomario

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protected and typical products of our province have been covered history, which bring with them the story of ancient skills, attention to the authenticity and integrity of food production especially in a time when the global trend appears to be another. From goose salami typical of Lomellina, salami Mountain Community, cereals, especially rice, to the cheese, the province of Pavia offers the gourmet flavors and tasty recipes that make this world a wonderful example of how to enjoy the pleasures of the table in all their freshness and originality.
The culinary heritage of these places could be lost, even in the face of industrialization of agriculture leading to phenomena more and more rigid standardization and uniformity

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knowledge and flavor ... The Charterhouse


Through the kitchen is transmitted to know: skills that go far beyond the simple use of the senses, but involving the man and his culture, and with it its origin and its environment.
taste the dishes, in fact, not just appreciate the loads of flavor, but recognize the tradition and origin.
Lomellina, Pavese, Oltrepò are places of great gastronomic history, a history that is intertwined with that of land under cultivation, sanctioning an important link between product and place as an element of reassurance to the consumer and an important added value for the Manufacturer: because the global market boundaries much more limited the variety and quality assured from local products.

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The construction of the Certosa di Pavia was commissioned by Gian Galeazzo Visconti, who inaugurated the work August 27, 1936, laying the foundation stone of the yard. The location was strategic: halfway between Milan, the capital of the duchy, and Pavia, the second-largest city, where the duke grew up and where the court was located in the beautiful Visconti castle.
The church, which was to become dynastic mausoleum of the Dukes of Milan, was designed in large in size, with an unusual structure with three aisles to the Carthusian order and was built to last. The church plant
Latin cross divided into three naves with an apse and transept, covered by vaults on arches, inspired, albeit on a reduced scale, the proportions of the Cathedral of Milan. The esapartite
times are painted alternately with geometric motifs and a starry sky.
singular are the ends of the transepts and the main chapel, chapels made of a square enclosed on three sides by semi-circular apses, according to a probable solution of classically inspired trilobata.

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Towers

The feature that differs from those of other cities of Italy is their thinness: a square base and with only six meters rise up to 53 meters high. The foundations are very deep and formed from the same tower filled with calcined stones. It is said that during a party at the castle date from the account of Filippo Maria Visconti Maino promised to build a tower upside down if the child had graduated, and the tower in question was built in the corner of Casa del Maino, which is the current School of Science. Had a base of four meters and a height widened forming stacked balconies from which you could see the city from different heights.

The towers were no longer at war purposes, but they were only a sign of power and wealth: when was born the son of a new generation there was a high, taller and had larger was in the prestige of the family. In Pavia, which was called the city of hundred towers, because according to the historian Spelt more than a hundred hung over the towers, there are still 72, the majority was "cut" by the adverse party during communal strife between the Guelphs and Ghibellines: who was won loot the homes of rivals and cut off their towers.

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University

Already since the year 825 when Pavia was an important school of rhetoric established by Emperor Lothair I. Throughout the medieval period the school was flourishing, in the eleventh century Pavia also became the seat of a certificate from law school. However, it is only thanks to the Emperor Charles IV in 1361, which was founded in Pavia a Studium Generale, which Pope Boniface IX recognized the same rights as the University of Bologna and Paris. With imperial diploma dated the Studium Generale was then transformed into universities.
The prestige of the university grew in the fifteenth century, but its activity experienced an abrupt halt following the serious damage received by the city for the siege in 1525. During the English domination of the scientific and teaching activities of the university suffered from the stagnant situation.
The rebirth of the university was in the second half of the eighteenth century thanks to their Austrian Maria Theresa and Joseph II. Since the end of World War II University Pavia has experienced a new revival, largely due to the energy and initiative of then rector Plinio Fraccaro. During the 60s, were added to the traditional School of Business and Economics and Engineering.

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Castle Dome

Pavia Castle was begun in 1360 under the guidance of the great engineer Bernard of Venice. It was square, with four towers and a large ditch that was filled with water derived from the fleet: a huge building for a city that was then about 20,000 inhabitants.

The beautiful windows are still those of the period, while the upper part of the battlements Ghibellines was rebuilt. Even towers and the main building were covered by a roof to prevent water seepage. The left tower is called "the library" because it worked on Francesco Petrarca, ordering and commenting on the valuable books written by hand. The tower on the right is called "Relic" because in the Ducal Chapel were the relics of the saints who often visited the Noble led the Dukes.

In 1495 Ludovico il Moro, Duke just now, and called to decorate the rooms of the castle, Bramante and Leonardo da Vinci: Leonardo did paint the rooms in the blue sky and it did enforce the stars in pure gold; Bramante had put the sides of the drawbridge some warriors with scimitars pageboy and that served to welcome guests. In 1600 and 1700 to disinfect the rooms were bleached by the frequent epidemics of plague and cholera, and now house the Museum of the Risorgimento and Roman Gaul.

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Piazza Grande is of Visconti as the houses were torn down so that there were parties and hangings were held in the city and not always in the Castle. But what is immediately striking is the view of the dome of the cathedral that towers 82 meters from the ground: the arms of the cross overlooking are 5 meters and 20 cm but the building is so harmonious that does not seem so larghi.La construction and Renaissance was commissioned to the great engineers of the time by Ludovico il Moro and his brother, Cardinal Ascanio Sforza. The project is Bramante was the rehearsal for the future construction of St. Peter in Rome that the Pope had asked him.
The dome (which is actually two overlapping domes of lead, made at the end of the last century, but always on the drawings and plans by Bramante) is based on eight pillars, but across the majestic colonnade not seen a single iron key com ' was normal in those days, so his calculations were accurate.
Inside the cathedral behind the main altar of golden ornaments, there is a tabernacle containing the thorns of the crown of thorns of Christ, which were donated by one o'clock Philip Valois kings of France and another forked Emperor of Constantinople.
The day after Pentecost, the Mayor of the city, the bishop and the pastor of the cathedral, each with its own key and opened the tabernacle of the Spine dazzling lights are lowered and gets solemn procession. In the high of the right arm are the remains of San Siro, the first bishop of Pavia, dressed in his vestments.

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Visit Pavia ...

addition to a full Museum System, Pavia offers visitors a beautiful sky.
In the city you can find some historical treasures including the majestic cathedral in Piazza Grande, the Visconti Castle, the seat of important exhibitions, the famous towers that look from Pavia; 's University, guardian of wealthy minds.
The beauty does not end there because you can continue a few kilometers from Pavia itineriario out ... to get to the Certosa, a patch of sky, a glimpse of the wonders of paradise stolen and reproduced in stone, in the frescoes, gold, lacquer and lapis lazuli.



For information on the various routes is helpful to visit www.echo.pv.it

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Museum of Electrical Technology

The creation of the Museum of Electrical Technology aims to exposure to the public use and exploitation of university collections established themselves within the Department of Electrical Engineering and two important collections obtained on loan (the collection ENEL, already in the Museum of Electrical Technology of Rome and the collection SIRTI, SIRTI already in the Museum of Telecommunications, Milan).

The museum also includes a historical library, formed with the bottom of the AEI (Italian Electrotechnical Association). The project therefore allows the integration of historical collections of the University - which document a significant studies into the origins of electricity and magnetism - and the collection of the most recent acquisition, which is guaranteed an appropriate venue.

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Already in ancient times there was a botanical garden for the cultivation and the study of medicinal herbs for the preparation of drugs on behalf of the San Matteo. The garden covers about three hectares. Nettle and attached to the Institute of Botany, University of Pavia.
Over 700 special grafts are created to study specific research labs and built the first greenhouses. Then, in early 900, the greenhouses were demolished and replaced by the double staircase and round the fountain, still visible.
Upon reservation, you can now visit the greenhouses of utility plants and orchids, in the summer, also edited by the 'Friends of the Botanical Garden', you can participate in interesting events.

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Botanical Museum for the History

The Museum for the History houses important collections of documents on human anatomy, surgical and medical sciences and physical sciences, but there are materials that illustrate the history of the university since the time the foundation, dating back to 1361.

To appreciate the significance of the heritage park, it should be noted that, at least until 1923, that of Pavia was the main university structure of Lombardy. Manuscripts and printed documents of legal interest and literary samples naturalistic, scientific instruments and medical preparations are a testimony to scientific and teaching of a large group of teachers who have made fundamental contributions in their respective disciplines.

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Other museums ... Pavia

addition to the Museum of Natural History Museums are part of the university as well:

- Museum for the History

- Botanical Garden

- Museum of Electrical Technology

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Know ...

Weekend
Pavia Province
History, Culture, Nature


A Practical Guide by Andrea Carpi and convenient to explore the province of Pavia, the main centers, the most charming places to visit, monuments to see.
easy to use, it puts the tourist in the best condition to prepare and choose their own itineraries with simplicity and directness.
not miss an important hint to the culinary traditions of the area, beautiful scenery, at the Spa.

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Useful Information ...

Address: Via Guffanti, Piazza Botta 9, 27100 Pavia
Telephone: 0382 986 308
Fax: 0382 986 290
e-mail: mailto : @ centro.museo unipv.it
Director: Dr. Clementina Rovati

hours:

Monday 9:00 to 12:00

Wednesday 14:00 to 17:00

Friday 9:00 to 12:00

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Getting there ...

To make your life easier and because we had trouble finding the museum ...
please consult viamichelin for detailed information on the course.

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Museum System ... How

The Museum System of Pavia was founded in January 2004 thanks to an agreement signed by the Municipality of Pavia , University of Pavia, Pavia, and the Diocese of Regional Superintendence for Cultural Heritage and Culture of Lombardy, with the support of the Province of Pavia and the Lombardy Region . Its unity and the idea of \u200b\u200b"system" rooted in the history of the city, the Teresa Visconti period reforms, which have impacted on each of the entities involved. The primary objective of
PaviaMusei is to enhance and promote ever more effective and integrated planning with a view to understanding the collections of the Museums of Pavia, University Museum (Natural History Museum, Museum for the History of 'University, Botanical Gardens, Museum of Electrical Technology), the Museum of Certosa di Pavia and the Museum of the Diocese.

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occurred restoration ...

The poor state of preservation of collections imposed in the first place with a strong liquid pesticide treatment of all specimens. Repeated twice at one month of this intervention appears to have blocked all forms of infestation.

The second phase included the complete removal of the layer of dust and grease stains or varnish that disguised the color of the feathers or fur. Even the parts corneas were carefully cleaned and polished. The specimens were then removed from their original base, and after cleaning and polishing of the bases, set on the original media.

We then proceeded to the structural restoration of relocating the animals detached body parts over time and repairing minor damage. Many mammals such as lacked eyes and had broken legs or portions of them (or whole phalanx fingers), while the birds had feathers damaged, bent or broken, wings, legs, neck or tail is not well laid out and trim, mold is present on body and legs.

some large specimens showed severe damage (shark teeth, phalanges of the crocodile, the posting of the fins, tears on the skin and fat loss in the dolphin) and therefore have required major repairs. The restoration has been conservative and particular attention was paid to the morphology of the original preparation taxidermic in order to maintain the existing stance.

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History ...

In Nineteenth century, the growing number of exhibits allowed the separation of the collections so that gave rise to three independent museums: Comparative Anatomy (1875), Geology and Palaeontology (1887) and Zoology, as a teaching support of institutions of the same name.
Under the direction of Pietro Pavesi (1876-1907) who was also mayor of the city of Pavia, the Museum of Zoology reached its peak by collecting over 50,000 specimens. In this period the famous collection of land shells Issel and many mammals, including a gorilla, an orangutan, two gibbons, lemurs, an African elephant and the splendid collection of spiders of the same Pavesi.

With the transfer of the Institutes of Comparative Anatomy (1903) and Zoology (1935) also found a new location for its museum in the Palazzo Botta. Between 1956 and 1961, the collections of three museums were transported from the Visconti Castle in the ostensible purpose of making it to the public on the basis of an agreement between the University, City and County which provided for the establishment of a Museum of Natural History.

Unfortunately, the collections were left to themselves for over thirty years, until the establishment of the Interdepartmental Center of Services "University Museums" (1989) that, with the collaboration of the City and the Province of Pavia, initiated Since 1995, the restoration of the collections, allowing, in the last three years, usability some findings in three exhibitions: "Images of ornithology in 800 in Pavia in 1996," Fishes of yesterday and today "in 1997 and" Claws and teeth: large and small predators "in 1998, organized during the week of scientific and technological culture promoted by the MURST

recovery and protection of museum collections in the interest of researchers and students, but also the general public, aimed at preservation of a priceless heritage and Scientific and consolidation of collaboration between universities and public bodies in order to allow the permanent availability of the findings through the creation of a Museum of Natural History.

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Vertebrates Vertebrates

In review of marine and freshwater fish, deserve particular attention to the collection of fish dipnoi acquired by Pavesi and a rare specimen of Latimeria chalumnae celacantide, donated to the museum in recent years.
The significant ornithological collection also includes the birds of paradise and donated by the Marquis Giacomo Doria ua wonderful pair of Andean Condor (Vultur gryphus) caught in Chile in 1835 by the explorer Gaetano Osculati.
The vast array of forms ranging from the most primitive mammals (monotremes) to the more advanced (before). Among the large carnivores is a pair of young Barbary lions (Panthera leo leo) purchased in Paris in 1812 and prepared established by the famous naturalist and embryologist Mauro Rusconi. Full
is the order of the Proboscidea with a young Indian elephant (Elephas maximus), acquired in 1812 by Mangili, and African elephant (Loxodonta africana) in the collection arrived at the direction of pavesi.Il large number of ruminants also includes a magnificent procured by the giraffe museum Balsamo Crivelli.

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Among the preparations spallanzaniana era that are still preserved, are an important bottlenose dolphin (Tursiops truncatus) acquired by Spallanzani in 1781 during a trip to Marseille, a Nile crocodile (Crocodylus niloticus), donated by Count Giacomo Sannazaro in 1782.

A hippopotamus (Hippopotamus amphibius) came from Mantua in 1783 and the subject of a long fight that ended with sending in Mantua in a series of duplicates of minerals in return.

The collection of Dutch doctor Van Hoey, rich in fish and reptiles, but also inclusive of a young orang-utang, arrived in 1786, a shark (Isurus oxyrhynchus) from the Strait of Messina, purchased from 'Abbot Gaetano Grano in 1790.

Among the substantial collections received at the museum from the beginning of the nineteenth century, there are representatives of all the orders of the various classes, is kept dry, either in liquid. Reptiles from the massive structure including a python and an anaconda an alligator.

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Collections ...

Collections naturalized, completely restored, have recently been set up in a filing made suitable for their preservation and usable by the public on special occasions. It is about 10,000 specimens arranged according to the number of inventory for easy reference. For many of them, through archival documents, you can rebuild the historic route.

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Museum of Natural History

Pavese Museum of Natural Sciences was founded in 1771 by Lazzaro Spallanzani , abbot and naturalist for thirty years (1769-1799) lavished his talents as a lecturer and researcher at the University of Pavia.
The first collections, sent from Vienna to Pavia by the express will of the Empress Maria Theresa of Austria, they found a temporary accommodation at the College Ghislieri (1771).
To grow the fastest of the collections acquired or collected by the same Spallanzani during his travels, the Museum, which already has a section of Zoology and Mineralogy, was transferred in 1775 in several rooms of the Palace of the University where the remains were ordered according to the Linnaean classification.
In 1780 the museum had more than 20,000 individuals arrived at Pavia from everywhere, and bound to increase because of the incessant search of material for teaching purposes.

Del period Spallanzani retain among others: the collection of visceral worms purchased in 1781 by Pastor John Goez of Quedlimburgo; specimens of reptiles, amphibians and fish collection of Van Hoey, 1784; a huge Nile crocodile Sannazzaro given by Count Giacomo In 1782, a dolphin from the sea in Sicily in 1790, a hippo came from Mantua in 1783, a urangutan 1786.

"Oh what gave me the news from her in the genius recatami dell'ourang-outan Which he has purchased for Pavia! Simie of the nomenclature, and history of them, I want to commit six to seven lessons from the chair, but could not do on this important topic expositions to my students, for lack of specimens, not as I had that some of the most vulgari Simmias small. The rare animal that you have done so far is the way, when in the future I'll talk about the same subject matter, for the orang-outang that ring that binds together the animals with man. This piece is worth a thousand, and his knowledge, his zeal for the Museum of Pavia was the reason for the debt. "
Thus Spallanzani Sperges thanked for the precious gift.

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Welcome!

What you are seeing is the project by three students of this course Cim. The aim of the project is to create a virtual community through one of the tools of Web 2.0 , which is addressed in the lessons of the digital communication B . To this end, we chose a blog to raise awareness of university students and the Museum System of the city of Pavia.