The Argentine newspaper Página/12 published an article entitled "Thirty years with Victor Hugo" signed by Daniel Guinazu. There is no mention of the author of Notre-Dame de Paris or de Les Miserables, but Víctor Hugo Morales, the greatest sports commentator the history of Argentina. Born in 1947 in Cardona in Uruguay, Morales began his journalistic career in his native country. In Argentina, began working on the frequencies of Radio El Mundo , Radio Mitre and Argentina Radio, before moving permanently to those Radio Continental. Remember his thirty-year career, is not just about a great journalist, but a great man of communication able to enter with strength and determination in important battles against the private media groups and oligopolistic Argentina. If
chewed English and you love football sooner or later you will experience the joy and the pleasure of listening to the radio a novel that will materialize live second by second word after word in your ear. Just connect one Sunday to the site of the issuer Argentina Radio Continental (www.radiocontinental.com.ar), download a plug-in if necessary and bring your imagination to warm voice Víctor Hugo Morales and perfect for that will tell you about the big match of the Primera División . Víctor Hugo Maybe you already know, why Youtube looking up pictures Goal of the century, the one that Maradona scored the British in the Mexico '86 World , fortunately you have stumbled into a clip containing his commentary consists of words and Emotions carved in the history of football. Many Argentines swear to have seen that game with his eyes glued to the TV screen and ears on the radio. If I tell him, believe them. Even Roberto Saviano, an episode of Che tempo che fa (April 2010), talking about Messi and Maradona has shown to the public spells accompanied by commentary Diego Morales, "accusing" but being unable to follow the words with the speed of the movements of the Argentine number 10. According to Saviano, Víctor Hugo was forced to take refuge in an "incomprehensible", "ta-ta-ta-ta goal." In that expression onomatopoeic however, the Argentine public was already accustomed to, having become the typical narrative artifice which Víctor Hugo resorted to announce the probable "inevitability, shock, amazement, irreversibility" (words of Pier Paolo Pasolini) of goal. If
All soccer minute by minute was the soundtrack of Sundays of the Italians, the Argentinians and the Sunday football games of the 'albiceleste body and soul are still linked to the entry of this elegant ladies Uruguayan lover of classical music. He arrived in Buenos Aires in 1981, while the military dictatorship began to creak and the army was preparing to receive the blows of the Malvinas Islands, British guns. With its " story fast, built on the movement of the ball, full of metaphors and ironic game, topped off with tinsel that only his feverish imagination and his talent overflowing were able to materialize during the course of each game," Victor Hugo opposed to the "oppressive domination 'of José María Muñoz, el gordo the traccagnotto commentator for Radio Rivadavia he had told the cavalcade of Argentina winning the World Cup in 1978, exclaiming with strength and hypocrisy "We Argentines are just and humane."
Returning to Víctor Hugo, you realize how complex it is a nice shape to be defined. If Sunday lends his voice to tell the most anticipated game of the day, Monday to Friday for comment touches quatt'ore per day (from 9 to 13) current events, politics, culture and sports in a seguitissima transmission. Inotre has lent his voice to the song "La Gloria" by Gotan Proyect, contained in Their last album "Tango 3.0. A few years ago, Morales asked to be heard by a committee of the Argentine Parliament, demanding that the qualifying matches of the national team at the World Championships in 2002 and 2006 were sent in clear text and not just by the cable channel TYC (Torneos y Competencias), tied Clarín Group. And if today in Argentina, public television for free send all matches in the league and the law of parliament has approved a major reorganization of the media system, the Argentines must also thank him for "his struggle against monopolies." Because, as Daniel points out Guinazu, Víctor Hugo "might have remained in his cabin, increasing its myth of a large magician of emotions. Instead, he prefers to go out there and fight for his ideas. He does this even bigger, now, thirty years after the first of his "ta-ta-ta-ta" of that hot afternoon of February '81.
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